Since Ghostface Killah’s Supreme
Clientele dropped in 2000 and essentially closed the book on the Wu-Tang
Clan’s near-unimpeachable nineties run, there have been only a handful of
serious landmarks in the Wu-Tang catalog: Masta Killa’s No Said Date in 2004, Ghostface’s Fishscale in 2006, Raekwon’s Only
Built 4 Cuban Linx… Pt. II in 2009.[1]
With the latter, Raekwon knocked Ghostface out of the top spot in the Wu-Tang
pantheon, and since then Ghostface has been spinning his wheels a bit,
releasing the ill-advised but amazingly titled R&B project Ghostdini: Wizard of Poetry in Emerald City,
the good but undercooked Apollo Kids,
the tossed off Ghost/Rae/Meth collaboration Wu-Massacre,
and the painfully generic Wu-Block with
the LOX’s Sheek Louch. On Twelve Reasons
to Die, Ghostface is reenergized and focused, and he sounds hungry again
for the first time since Fishscale.
Ghost has given the Clan their fourth landmark album of their second decade.
A blog about hip-hop, jazz, punk, psychedelic rock, funk, and whatever other kinds of music I get inspired to write about. There are too many good sounds out there for me to get to them all, but I'm doing my best.
Showing posts with label Masta Killa. Show all posts
Showing posts with label Masta Killa. Show all posts
Sunday, April 21, 2013
Sunday, April 7, 2013
Masta Killa and "Glaciers of Ice"
I was just listening to this song a bunch earlier today and
I’m struck by two things that make this one of the best tracks on Raekwon’s
nearly perfect Only Built 4 Cuban Lunx.
First, it took some serious audacity for RZA to flip the same sample twice on
the same album, but he did just that with the rugged strings that drive “Guillotine
(Swordz)” and underpin this song. Second, Masta Killa was unstoppable from his first
verse on “Da Mystery of Chessboxin’” through everything he did on Wu-Tang Forever, and this song is no
exception. He was unstoppable enough that he could show up between Raekwon and
Ghostface in their primes on a song and still be the illest by a wide margin. Inspectah
Deck and U-God were similarly astounding during this five year period, and it’s
a shame that all three didn’t get RZA-produced solo albums during the five-year
plan. A Masta Killa album in 1996 would have undoubtedly been a classic since
RZA didn’t make a bad beat during this era and Masta Killa was capable of
verses like this. It probably would’ve even surpassed No Said Date.
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