Stalley has the best beard in rap, but outside of that he
doesn’t have much of a distinct personality. Fortunately, he’s managed to do
two things right in his career. First, he signed to Maybach Music Group without
losing anything about his identity, which probably wasn’t too hard since he was
kind of generic in the first place, but if Wale is any indication Rick Ross is
usually able to remake MMG signees in his own boring image. Second, he’s
maintained a working relationship with the Block Beattaz from his better than
it should have been Lincoln Way Nights
album through to his new single “Swangin’.” Along with Big K.R.I.T. and all of
the producers on The Outfit, TX’s album, the Block Beattaz are the kings of a
certain strain of soulful, woozy Southern hip-hop production. If nothing else,
Stalley’s personality deficiencies are almost completely masked by the great
twinkling beat on “Swangin’.” The mostly acapella Scarface guest verse elevates
the song further, and if DJ Screw were still alive, this song would sound
amazing in the middle of a Screw tape (though it would probably have to be
something like volume 1473 in the Diary
of the Originator series).
A blog about hip-hop, jazz, punk, psychedelic rock, funk, and whatever other kinds of music I get inspired to write about. There are too many good sounds out there for me to get to them all, but I'm doing my best.
Wednesday, July 10, 2013
The Underachievers - "The Proclamation"
When Indigoism
came out at the beginning of this year, I immediately thought of classic duos
like Smif-n-Wessun and M.O.P. In those groups’ respective primes, both members
were basically evenly skilled and equally compelling. No one was waiting out a
Billy Danze verse so that Lil’ Fame could take the mic, or hoping Tek would
wrap things up so Steele could get his turn. On nearly every track on Indigoism, the same was true of both
Underachievers, Issa Dash and AK. They worked perfectly as a self-contained
group, and it’s telling that they are the only two voices on the mixtape.
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